![]() And this multiplatinum, Grammy-winning classic by the so-called “Queenston Trio” backs up that claim, with the two best country singers produced by the Sixties folk/rock scenes going deep into Parton’s Appalachian roots and starkly intimate Nashville virtuosity. “Dolly Parton is to Linda Ronstadt and Emmylou Harris what Chuck Berry was to the Rolling Stones and the Who,” wrote Seventies rock critic Barbara Charone. After this album he would tour with Grand Funk Railroad, record with Pantera, live in a cave when the IRS took his money and release an offensive album of joke songs that included the worst racial slur there is. ![]() A disaster as a role model, Coe still possesses scary musical skills. “A Sad Country Song” is a last-call classic and “Atlanta Song” is a passive-aggressive stripper lament that Drake would feel. If rock & roll is mostly attitude, biker ex-con and outlaw country pioneer David Allen Coe might be the most rock & roll artist on this list - when a Rolling Stone writer questioned the veracity of a story Coe told about killing a fellow inmate over sexual advances, Coe replied with the song “I’d Like to Kick the Shit Out of You.” This major-label debut, which reflected a time when Coe wore rhinestone duds, wigs and a mask onstage while living in his car (a white hearse), posits him as a doomed, lonely troubadour of the lost-cause South (“I Still Sing the Old Songs,” “Old Man Tell Me,” “The Old Grey Goose is Dead”). Plus, how many guitar players do you know who were immortalized in a Scooby-Doo episode?” C.W. “Folks these days don’t realize what a great guitar picker Jerry was nor his incredible sense of groove,” said Les Claypool, whose alt-metal band Primus covered “Amos Moses” in 1998. This collection of 20 hits features his most iconic characters: the mean-as-a-snake, one-handed alligator hunter (“Amos Moses”) the misunderstood, monkey-meat-eating swamp man (“Ko-Ko Joe”) and the paranoid poker loser with a razor in his hand (“The Uptown Poker Club”) - told with Reed’s funky lilt. But during his hitmaking days - from 1967’s hard-grooving “Guitar Man” to the post-trucksploitation crash of the early Eighties - Reed was a one-of-a-kind pop star living in the nexus of country, funk, furious fingerpicking and novelty song. It does not store any personal data.Jerry Reed was, as Brad Paisley said, “a true master of his instrument,” one of the greatest country guitarists of all time and a fount of blazing licks equal parts Earl Scruggs and Django Reinhardt. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. ![]() The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". ![]() These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. ![]()
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